A book of engraved designs made the "Adam" repertory available throughout Europe. A parallel development of this early phase of neoclassical design is French "Louis XVI style.
Robert Adam's main rivals were James Wyatt, whose many designs for furniture were less known outside the wide circle of his patrons, because he never published a book of engravings, and Sir William Chambers, who designed fewer furnishings for his interiors, preferring to work with able cabinet-makers like John Linnell, Thomas Chippendale and Ince and Mayhew. So many able designers were working in this style in London from ca. 1770, that the style is currently more usually termed Early Neoclassical.
It is typical of Adam style to combine decorative neo-Gothic details into the classical framework. So-called "Egyptian" and "Etruscan" design motifs were minor features.
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